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‘Dope’ Reviews: Will The Dark Comedy Make You Soar?

Fri, June 19, 2015 2:07pm EDT by Add first Comment
dope reviews
Image Courtesy of Forest Whitaker's Significant Productions

‘Dope,’ the new movie about, well, dope, has just hit theaters and the reviews are in. Will the dark comedy lift you up?

In Dope, which hit theaters on June 19, a group of high school seniors find themselves caught up in the drug scene in a way they had never expected. When a chance encounter with a drug dealer leads to them acquiring a ton of ecstasy, the guys are set on the adventure of their lives– and obviously shenanigans ensue. Oh, and the film also features Workaholics star, Blake Anderson, so you know it’s not your average movie. With the flick officially in theaters, it’s time to decide whether it’s worth your time. We’ve rounded up the reviews to help you make an informed decision!


New York Times:

Does Dope treat Malcolm — an ambitious, intelligent, nonviolent black adolescent — like a freak, or does it depict a world in which he’s viewed that way? Does the film engage its precursors (movies like Boyz N the Hood and Menace II Society) as update, pastiche or critique, or as some combination? These are complicated questions, but your answers are likely to determine your response to this amiable, energetic, scrambled movie. It’s easy to root for Malcolm, to admire his pluck and share in his enthusiasm. It may be a little harder to buy what he and Dope are selling.

Vulture:

Dope wears its referentiality on its sleeve: It’s a remorselessly entertaining, Frankenstein’s monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.

A.V. Club:

Dope often brings to mind early Spike Lee, not because its characters represent a broad cross section of black life or because it’s fixated on the aesthetics of the Mars Blackmon era, but because writer-director Rick Famuyiwa seems to have opinions on everything from race to romance to politics, and treats filmmaking partly as an excuse to voice them.

Wall Street Journal:

Light on its feet, gleefully profane and deliciously droll as it manipulates the notion of innocence (and plays with our expectations in the process), Rick Famuyiwa’s Dope traces the rise—and steeper rise—of a geeky high-school senior who learns how to work the system.

Now it’s your turn! Will you check out Dope?

— Casey Mink